An interactive three-channel video installation showing a swirling graphic, news clips about women in misogynistic ways with inverted colors on each mention, and women in lingerie touching themselves under red light with a purge siren blaring in the background.

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Misandry merges mass media and erotic spectacle to expose the looping cycle of misogyny in American visual culture. By pairing hypnotic imagery with distorted news footage and hyper-feminized performance, the work frames sexism as a form of political theater, both sensational and numbing, revealing how femininity is continually constructed, consumed, and punished on screen.